Imperial Knight of House Teuthida

After going halves on an Imperial Knights: Renegade boxset with Dan from Forged at a Painting Desk, I found myself owning an Imperial Knight. The promise of a game in Nottingham gave me the deadline I needed to get the thing finished and painted.

I was coming from a place of ignorance. Sure, I knew the basic background behind the Knight Houses – but I knew nothing about my Knight. I had no idea what House, or what purpose the Knight might fill, or how I would tie it in with my Space Wolves. I hadn’t anticipated touching the thing for a little while, hoping to let it gestate in the depths of my subconscious for a while.

It was important that it fit with my Space Wolves aesthetically, but I wanted to do something other than just paint it Space Wolf Grey. I also remembered I’d seen that the Freeblade Transfer sheet had squid/kraken things on it and maybe I’d could use those. After all, Fenris is famous for something else other than the Wolves, Ice, and Space Marines - Kraken! I didn’t want a Freeblade, as I wanted the later possibility - should I ever somehow find the time - to field an entire force of Knights, resplendent in their house colours.

Things flowed naturally from there. Sea-green seemed like a sufficiently different colour to my Wolves. Bronze and red would mean they’d share trim colours, tying the two forces together. Orange would look great too, as orange is the perfect colour to go alongside sea-green or teal. The plan was to weather it heavily, make it really rusty. I had this image of it being covered in sea-spray on its home planet, fighting horrible sea monsters to keep the populace safe (and most importantly, productive!)

Disaster struck when I attempted to order that transfer sheet though – it had long since sold out. Further, reading through the Imperial Knight codex, I realised I would need a House Coat of Arms. I was up for the challenge of making my own (I’m by no means an artist!). I’d read on From The Warp about custom decals and it didn’t seem too difficult. Following a quick search for free-to-use images, and time in Inkscape to make up my heraldry, it was done. I wanted to do something more than just abstract shapes (already prominent in my Space Wolves force) for the personal heraldry of the Knight. To complement the Nordic theme Space Wolves use, I used a Celtic knot, with an idea of using a different knot design for each Knight. One last touch was to put a wolf’s head on the pennant, to symbolise the co-operation between this Knight and my Chapter of choice.

The Crest of House Teuthida - I tried to match the style of the GW designs as closely as I could
Things didn’t go quite to plan! I found that Dullcoat wasn’t good enough for sealing the ink onto the paper and the transfers were not only terribly flimsy, but the ink ran too. I was running out of time by this point, but thankfully the father-in-law-to-be offered a can of Halfords car lacquer. I wasn’t entirely convinced, but I was desperate. Turns out, it was perfect. With the magic bottles that are Micro-Set and Micro-Sol (and a little matte varnish to dull the gloss after) I’d finally got the Knight looking how I wanted.

I couldn’t bring myself to rust it. The copper trim was a perfect complement to the sea-green already. So, it’s the only Imperial model I own that hasn’t been weathered.
I still can't decide on a name for him, but given how many times he came back 'from the dead' in his debut, I'm thinking 'Undying' or something similar will be part of it!
I think I could have done a better job breaking up the metalwork, but seeing as I'm the one who will see this side most games, I can live with it!

The Knight didn’t fair too well in its first outing. I imagine this matches most people’s experience of taking out a model they’re proud of for a spin! It was an epic battle though, facing off against serious Tau opposition (including a Supremacy suit!). The Imperials couldn’t quite carry the day, but House Teuthida fought valiantly, throwing Knight after Knight into the fray… (we were playing Apocalypse, so I took full advantage of the rule allowing me to spend victory points to resurrect a dead unit!)

I’m looking forward to taking it to battle again – particularly against the daemon possessed Knight Dan has been working on for a while now!


Thoughts on Games Workshop's Changing Relationship with Its Community

Before these halcyon days of the internet - the age of social media, hashtags, and dank memes - there was a time when companies couldn’t just go viral to market their product. You needed to advertise, whether on TV or in a magazine or other media. The only direct engagement you’d have with your customers was through a store front. The only bit Games Workshop did. GW has always had a funny relationship with the concept of marketing.
Word of mouth has always been the driving philosophy for Games Workshop’s promotion. They had exciting store windows throughout the UK, filled with cool looking painted models, that could attract the eye of almost any little boy looking through at the displays. They also had White Dwarf – their own bespoke magazine! During those pre-internet years, it was the only real way for most people to get Games Workshop news – and it had cool articles too! Though even then you could argue it was just a catalogue; but it was all we had!
Those were the days...
Then the internet rolled up, in its fancy sports car with animated gifs, auto-playing midis, and, critically, web-forums. Sure, chat-rooms were a thing, but web-communities picked up when the forum came along. And Games Workshop was uncharacteristic in being quick off the mark to get their own! Unfortunately, these web-forums didn’t last all that long. They were not a pleasant place. After this though they doggedly continued to put their website to good use, putting up many things up for free – painting guides, scenarios, rules.
Without much warning, things changed…

In typical fashion Games Workshop realised that it wasn’t making enough money from all this free stuff. If people wanted to look at these things for free so much, they’d pay for them, right? So, bit by bit, the website changed, they deleted all the old content, and replaced it all with epub format painting guides and dataslates (if you had an iPad you could have them in a less awful interactive format). Around this time the company itself became more anonymous, their web-forum was long gone, and they stopped stating who designed each model (a practice that sadly continues to this day!)
The advent of social media should have been a turning point, forcing GW into the 21st Century. They created Twitter and Facebook accounts for all their major arms (GW proper, Forge World & Black Library), and they were popular! And then they killed them out of the blue, without fanfare, exhausted with the negativity posted by their own community. Games Workshop had finished its transformation into an anonymous and unapproachable fortress.
The Imposing Castle Games Workshop
It was hard to blame them from giving up the hobby community they’d spent so long promoting and building. The Warhammer community has always been caustic. Criticism of Games Workshop is the norm, and praise, was rare. And ‘criticism’ was often a polite euphemism for pure abuse. I don’t think they knew how to counter and resolve the issue.  I’m not sure drawing up the bridge and filling the moat with lava was the best response.
Then Duncan Rhodes came.
The Lord of Paint Thinning and being Neat As You Can himself.
There had been a Games Workshop YouTube channel for some time, although the majority of the content had been somewhat pointless reveal videos. Whilst often well done, they were meant to be the launching points for release hype and get people excited about what models might be coming up that week. Of course, leaks would usually have occurred weeks, if not months, in advance. It would take a long while for GW to best realise a strategy for dealing with leaks.
The ‘How to Paint’ videos were an unexpected masterstroke though. They’re among the best guides on the internet for beginner miniature painters. More than that though, they’ve given Games Workshop a face.
Finally, GW had found an avenue to engage with its community. It was a small step, but a vital one. With Duncan Rhodes, they had an approachable and likable figurehead to build upon. It isn’t perfect – they disable the comments on their YouTube videos, so it still feels like you are dealing with a wall. Duncan has even spawned his own memes – mostly about thinning paints.
Then, over the last year, something weird happened – Games Workshop, perhaps buoyed from its success with its painting guides, began talking to us and actively engaging with its community. The Facebook pages suddenly reopened for business overnight! They even started an Instagram account dedicated to farming pictures for use on their website via #paintingwarhammer. That's alongside monthly painting competitions to have your stuff showcased!
Those Facebook pages were the focal point for the one of the best bits of community engagement for gamers – FAQs! For years, the various iterations of Warhammer have languished with either substandard or entirely missing clarifications and errata. No longer! We’ve been given almost absurdly detailed documents (most of which are admittedly still in First Draft status) that have gone a long way towards helping with the increasingly complex 7th Edition of Warhammer 40,000. Even better, these documents were built from solicited community feedback. Finally, Games Workshop seems like it’s listening; understanding what a powerful resource its community can be when it encourages it to behave in a positive manner.
One moment stood out for me. At first they suggested a house rule bringing Space Wolf, Blood Angels and Chaos Dreadnoughts’ into line with the Codex: Space Marines’ brethren by giving them two attacks. The community suggested this ought to just be an erratum to the rules. GW agreed. This would have been unthinkable only a couple of years ago – due to community feedback, Games Workshop changed a unit profile in an official FAQ. Madness! They’ve even put a call out for suggestions for the next edition of the Age of Sigmar General’s Handbook!
Leaks have traditionally been one of Games Workshop’s real bugbears. They seemed impossible to keep a lid on. Poorly taken photos of magazines and ill-remembered rules were as often able to completely stymie hype as they were to get anyone excited.
When Magnus the Red leaked – we initially saw this:
Not the way you'd want your brand new model judged.
Not bad, considering many of the leaks I’ve seen. But I doubt a crumpled-up photo of a box was how GW wanted to showcase the release of the first plastic Primarch (and first 40k Primarch since the early 90s)!
So, Games Workshop upped the ante with this masterpiece:

Games Workshop has come to the realisation that the best way to respond to those inevitable leaks is to outdo them. And it works!
The amusing videos didn’t stop there, with spoof adverts for the XL Chaos Black Spray which I recommend you check out. They’re probably a bit over-long, in hindsight. And I suspect that they’re mostly funny because it’s Games bloody Workshop. They’re having fun! It’s so weird to see!
They even set up an entire website dedicated to the community; Warhammer Community. I’m not sure what to think so far. It’s better than hiding the blog in some forgotten part of the main website like they did with ‘What’s New Today’ in its latter years. It’s all done with good cheer and personality, and a not that long ago this is content that would have been in White Dwarf. There’s good stuff – I hope they do more tactics articles like the one they did for Genestealer Cults.
The site also has a regular feature called ‘Rumour Engine’. Here the community is shown a tiny, out of context image from an unreleased model and invited to guess what it is. This is probably the best compromise secretive Games Workshop could come up with. It’s important to maintain hype about existing releases and at the same time tease the audience with something new. I wish it was more though. I miss the days where Games Day would roll around and we’d get pictures of unreleased models in cabinets.

What is it? I've no idea. (Actually, I think I do. A gyrinx. Shh!)
Regimental Standard is a WordPress blog that’s ‘Required Reading for the Modern Guardsman’. If you remember the old ‘Imperial Infantryman’s Uplifting Primer’, this is very much in that style, being silly and over the top Imperial propaganda. It’s one-note, and not quite deadpan enough for me. If it read more like actual propaganda I’d check the blog out more often. Instead it’s more of a straight up spoof with ‘hilarious’ footnotes about how the survival rate is only 1%. As it is, I check it out occasionally when its linked by the 40k Facebook page but otherwise it’s pretty missable.
Most recently, Games Workshop have started ‘Warhammer Live’, which I’ve not had a chance to check out yet. It’s Twitch.tv based videos, with battles reports and interviews. I’m a little worried that paid-for streamed content is them returning to the dark ways of the past. Hopefully all the useful things like painting guides, news, and tactical discussions will stay on YouTube and the Warhammer Community website.
What this all means is that Games Workshop is no longer the faceless monolithic entity we once knew. Instead it’s become something a lot more approachable and has caught up with the way things are done in this modern, social media dominated, age. Before they could have been justifiably accused of having an outright hostile attitude to its community, with a well-deserved reputation for arrogance. Now they’ve switched that around and shown a willingness to poke fun at themselves.
Does this mean Games Workshop is a different company now? Possibly, in some ways. Certainly, there’s been changes on the Board. It’s possible that their entire corporate attitude has changed but I think what’s really happened is they’ve just seen what other companies are doing.
This engagement doesn’t just benefit Games Workshop – although I would not be surprised at all to see a decent uptick in their sales over the last year – it’s benefitted the gaming community too. We’re getting more out of GW; be it models we want, rules or painting tutorials. In 2016 alone we saw things we would never have dared to dream of five or so years ago. Both Deathwatch and Genestealer Cults in the same year! Blood Bowl coming back! The pessimism of the recent past regarding Games Workshop’s business practises has gone. Now there’s hope that maybe we can all get the miniatures and rules we’ve been dreaming of. They're even asking the community which models they want pulled from the archives for their 'Made to Order' range, which is really neat.

No automatic alt text available.
More of this. This is good.
Personally, I’d like to see more of this engagement. With the FAQs Games Workshop has shown that it’s willing to use the community as a resource for its rules development. As a result they’ve asked for help with the Age of Sigmar General’s Handbook. I’d like to see the same for 8th Ed 40k. We know it will come – and we also know that whilst Games Workshop can still arguably be said to be the leader of the pack in model quality, their rules design has long been their weak-spot. I think previewing and open playtesting with the community could help. I’m not convinced that the community is any better at rules (rules design is hard), but giving them time to get used to changes is a positive move. It would prevent the shock that provokes angry and unreasonable responses from fans and gamers.
Games Workshop is clearly feeling like they can take risks right now – and that’s good. It shows confidence, a welcome relief from the arrogance we’d knew. I want more of this. If the community and Games Workshop have a good relationship, both can prosper. Based on this article from the Telegraph about their changing financial fortunes, it’s looking like that’s been true so far.


Icons of Parsantium Review

Type of Hobby: Roleplaying Game (Supplement)
Number of Players: 3+
Authors: Richard Green
Publisher: Ondine Publishing
Price: £2.58

Icons of Parsantium by Richard Green

Disclosure: I received a copy for review from the author.

When I reviewed it last year, I was pretty impressed with Parsantium. I liked it's mash-up of historical and fantasy tropes; I liked that it was packed with detail; and I liked that it was cosmopolitan and varied.

I viewed Parsantium through a 13th Age lens, as that was (and is) my fantasy RPG of choice (although 5e has got a look in now I've actually seen the books!), and in my heart the two are inextricably intertwined, having initially encountered both at the same time at a convention.

Rich Green was quick to bring icons to Parsantium, presenting them on his blog. Now by popular demand, he's collected them together into a single product, alongside some very welcome extras.

15 Icons for 13th Age
Pasantium's 15 icons give players plenty of villains to choose as enemies and allies to throw their lot in with. Many have obvious parallels with those within 13th Age; covering as they do obvious fantasy archetypes. The Basileus is analogous with the Emperor, for example, and the Lady of the Summer Kingdom parallels the Elf Queen. However, thanks to Parsantium's more intimate scale, we learn much more about Corandius XVIII than 13th Age's near anonymous Emperor. We learn that's Corandius XVIII is 'a short, stocky and physically powerful male human in his thirties, who conducts himself with a confidence that borders on arrogance, though he is handsome and charismatic enough to get away with it.' That kind of detail is much more engaging, which is what you want from an icon; icons need to hook the players in and encourage them to engage with the setting. Parsantium's icons do just that. They have personality in spades.

I think my favourite icon is The Mummy - awakened evils are always a favourite of mine! Hunting down (and/or trying to prevent them falling into her evil hands!) ancient artefacts could lead to some fun pulp adventurers.

Parsantium is a melting pot, and its icons are a varied bunch too, many representing the leaders of the regional powers and threats outside the city. As links to cultures they are evocative. These interests all want their piece of Parsantium's pie and they give players plenty of ways in to the intrigue within the city. They also offer plenty of opportunities for action beyond the cities borders, perhaps protecting caravans from gnoll raiders loyal to the Khan, or investigating evil-doers for the Platinum Knights. Speaking of which, I liked the world map that helped put the city's place in the world in context. Now I really want to go on expeditions!

I was pleased to see two races that I felt essential to playing in Parsantium included - the gnoll and the vanara. The gnoll of course has always been a staple of D&D, and usually in a villainous role. Having them as potential violent and feral sell-swords is a neat option.

The vanara are monkey men; nosy and with a predilection for pranks. In the right hands they should make fun characters.

Of course, races in 13th Age lack the depth of other systems, usually only having a single racial power and a stat adjustment, so these races could have been cobbled together by enterprising groups. There's something to be said for 'correct' rules, however, so I'm grateful to see them.

Icon Relationship Ideas
After the icons is a section full of sample icon relationship rolls, at least four for each icon (Positive 5 or 6 and Negative 5 or 6). Thinking up new and interesting ways to use involve those icon dice is one of the most challenging aspects of 13th Age, so I really enjoyed reading through these, both to use them in Parsantium and just generally for ideas in my other 13th Age games.

I really liked the format these took too - most 5s were simply an additional complication to the more broadly positive 6. As I find 5s far more difficult to work out than 6s, having these examples has been a great source of inspiration! For example, a positive 6 with the Grand Master of the Blue Lotus might find the party acquiring the use of a magical staff - but a 5 might add on top that an 'unscrupulous wizard belonging to the Fireball Club' finds out and decides he is more worthy of it than the party!

You could easily ransack these examples and use them as plot hooks too! The example above might lead to a fair few fun encounters if built upon, with the wizard going to increasing lengths to obtain the staff! (and what's so special about it anyway?) There's a lot here to get the ideas flowing in a pinch, and Parsantium was already rich in that regard!

While the icons have been available on the Parsantium blog for a while now, they've been updated here and collected in a nice little package, with extra content. I'd definitely recommend it if you're planning to run 13th Age Parsantium - having the icons in one place is handy enough, both the races and icon roll ideas are nice to have and worth a look for a couple of pounds.

If you're not running 13th Age, you'll still find the information on the icons useful - powerful NPCs that vie in the background are useful to know about whether they're connected mechanically or not! 


5 Further Potions for 13th Age!

The time has come for me to release to the world several more potions from the secret text given to me by a dying alchemist. His last wish was that I give his closely guarded family secrets to the world. Probably. It was hard to hear, he was mumbling. Still, his loss is your gain! 

Potion of Concealment from Animals
Being able to pass unnoticed beyond a hungry pack of wolves isn't just a neat trick, it can be life-saving. 

You become effectively invisible to any creatures with the 'beast' keyword. As with invisibility spells, any attack or flashy action will dispel this effect. 

Adventurer175gp5 minutes
Champion325gp15 minutes
Epic650gp30 minutes

Potion of Concealment from Undead
Best not to think about what's in it; just be thankful the zombies seem to have taken you off the menu. 

You become effectively invisible to any creatures with the 'undead' keyword. As with invisibility spells, any attack or flashy action will dispel this effect. Very intelligent undead, such as liches or vampires, may, at the DM's discretion, make a hard save  (16+) to see through this effect. You should inform your players if this is a possibility. 

Adventurer210gp5 minutes
Champion425gp15 minutes
Epic850gp30 minutes

Potion of Jumping
This potion tastes like rubber and bounces inside around its bottle somewhat alarmingly. Once drunk, being able to jump great distances or heights is a doddle! No check is required, and the effects of the potion mean that landing from a height won't hurt unless the distance travelled is greater than potions listed effect doubled (once up, once down!).

Adventurer175gp10m2m1 minute
Champion325gp15m4m5 minutes
Epic650gp25m8m15 minutes

Potion of Undetectable Passage
Once this potion has been drunk, the imbiber leaves no trace of their passing. Snapped sticks underfoot will mend themselves, kicked stones will roll back into place and footprints will fade away. Tracking the imbiber is impossible without magical means.

Adventurer210gp15 minutes
Champion425gp1 hour
Epic850gp6 hours

Potion of Distant Vision
This deep black liquid allows the imbiber to see as if he were within a distant area. The area to be looked at must be declared upon drinking the potion. If the area is not known to the imbiber (i.e. he has never been there before), he must pass a normal saving throw, or nothing is seen. These potions are incredibly useful for getting the lay of the land ahead, or keeping watch on a distant area.

TierCostDistanceDuration of Potion Effect
Champion325gp5 metres30 seconds
Epic650gp30 metres5 minutes


Morkai's Hunters - A Space Wolves Grey Hunter Pack

Morkai's Hunters, the foremost Grey Hunter pack in the Deathwolves.

By happy coincidence, both of my Grey Hunter packs were mentioned in Companies of Fenris as belonging to the Deathwolves; the Great Company of Harald Deathwolf. Here's the latest addition of the two - Morkai's Hunters. 


Icons of the Ashen Coast: The Tenebrae Cabal and the Wizards of Thrinn

The final two Icons of the Ashen Coast, the Tenebrae Cabal and the Wizards of Thrinn are both icons that until now existed only as features on the map of the Coast. The Wizards of Thrinn held their tower, and the Tenebrae Cabal plotted behind the Plague Bulwark.

The gods are an important part of the world of Vostror that the Ashen Coast resides within. Conveniently, I already had a place where the evil wizards and clerics of the last empire resided. The Tenebrae Cabal is an unholy alliance that should supply me with all the evil I could ever want. 

A union of evil arcanists and dark clerics, cast out long ago by their masters but determined to rule once again. 

'Our right to rule is absolute, a divine thing, a holy thing. This land is ours; the Empire has forgotten us, but we have not forgotten it.'

Usual Location
Beyond the Plague Bulwark, with enclaves spread throughout the peninsular. Fort Ibrak and the desecrated temple of Dol Himak are centres of power, however.  

Common Knowledge
Though they do not exactly work in perfect concert, the clerics and wizards of the Tenebrae Cabal are united behind a single purpose - to destroy the Plague Bulwark and unleash their horrors upon the Ashen Coast. Wizards and Priests do escape past the Bulwark on occasion and work to bring it down from the outside or pursue their own vile schemes. Others still are driven to attempt to cross the Bulwark, either hoping to find like minded individuals or driven there by lawful or good pursuers. 

The power within the cabal fluctuates between arcane schools (particularly necromancy) and worship of the various dark gods (of which Kostro, Vundrica and Toovik have the most influence behind the Bulwark). The current 'head' of the cabal is a Priestess of Kostro named Nahal Afsheri, and cultists from the ruined and desecrated towns behind the bulwark flock to her cause to wage war upon the Coast and destroy the wall by force. The vile sorcerer Zavar Amaanat is the strongest source of arcane power beyond the Bulwark, and he schemes endlessly. 

Adventurer's and the Icon
Worship of the dark gods is a quick route to power which can be irresistible to some adventurers. Most are sensible enough to work against the cabal, however, not with it. 

None. Isolation and the destructive nature of their goals puts even the vilest icons off working with the Cabal. 

The Platinum Shield stands foremost between the Cabal and the Coast and must be destroyed at all cost. The High Priestess is a source of hope for the worshippers of the good gods; her death would be a great victory. 

The evil experiments performed by many of the wizards in the Empire of Turin were frequently misguided; the dark rituals performed by the servants of the evil gods equally so. The result was that the Ibrak peninsular became the domain of plague, rogue undead and worse and threatened to spill into the lands beyond. The governor at the time ordered the construction of a great bulwark to contain the horrors to the peninsular. Many of the evil wizards and clerics elected to stay behind. 

A curious balance formed between the wizards and the clerics of the various dark gods and collectively they became known as the Tenebrae Cabal.  

The True Danger
Everything will be alright as long as the wall stands and the full force of the Tenebrae Cabal is contained. 

There needed to be an arcane archetypal icon on the Ashen Coast, and the Wizards of Thrinn were already on the map - although that they lived within a tower was all that I knew about them. Combined with a recurring theme from my previous games - powerful and dangerous pink crystals - they've become somewhat more fleshed out now and something I hope my players will want to connect with. 

An enigmatic order of wizards that travel throughout the Ashen Coast, recovering powerful magicks. 

'There is nothing to see here. And if there were, it would be in your best interest to avoid looking, nonetheless.'

Usual Location
The Wizards of Thrinn have always been a secretive presence on the Coston Peninsular, their tower standing looking out onto the Great Ocean. Only the select few that count amongst their number are ordinarily permitted inside. 

Common Knowledge
Wearing their distinctive purple robes, the Wizards of Thrinn are considered throughout the Ashen Coast ill omens; their appearance usually heralds 'interesting' occurrences with strange, long forgotten machines being dug up shortly before they arrive, or an evil awakening, posing a great threat before it is captured by the Wizards who disappear as quickly as they arrived, taking everything involved in the accidental summoning. Quite often these incidents will involve strange and dangerous bright pink crystals, although so far the wizards have yet to find any intact. 

Other times they will turn up and... nothing unusual will happen at all. At least, not that anyone saw. Perhaps something, or someone, might be missing when they've left. It's probably for the best. It's certainly best not to ask. 

Adventurer's and the Icon
It is not unheard of for a Wizard of Thrinn to join an adventuring party, although they seldom remain for long. More likely a party will recruited by a Wizard to help them in their mysterious work, learning only enough to earn their pay. 

The Wizards usually work alone, although any Icon may find themselves with a temporary ally in the form of a Wizard of Thrinn. Usually, they are not happy with the price of having such an ally. 

The Lady of the Woods seems intent on preventing the Wizards carrying out their work, particularly in the wilds. 

The enigmatic Wizards of Thrinn have been sighted on the Ashen Coast for centuries, appearing, usually alone, to conduct mysterious arcane investigations. Their history is as mysterious as they are. 

The True Danger
Everything will be alright as long as the Wizards of Thrinn can't recover any intact pink crystals. 

So, that's all 13 icons for the Ashen Coast! Let me know what you thought of them! 


Thoughts On.... Companies of Fenris: Space Wolves Painting Guide

Type of Hobby: Miniatures Wargame (Supplement)
Number of Players: 2
Authors: Games Workshop Design Studio
Publisher: Games Workshop
Price: £20

Games Workshop have really been on good form recently with the quality of their painting tutorial videos. In many ways I thought that this book didn't really need to exist, as actually seeing someone paint is infinitely more useful than reading a description - but a real focus on variety and fleshing out the background of some of the less well known aspects of the Space Wolves makes the book well worth the asking price in my opinion.

The Great Companies

The guide presents four very different great companies, the Firehowlers, the Deathwolves, the Iron Wolves and the Champions of Fenris. This shows the depth that a single chapter can have within it, showcasing a few of the different themes you can choose. Space Wolves get a lot of flak for their recent focus on the 'wolf' side of the coin, but there's plenty of other options you can choose if you so wish and this book really shows them off. It's great to see a couple of the less obvious choices shown off here; Ragnar and his company would have been easy to throw into this book, but it's great to see other Wolf Lords getting a turn in the limelight.

There's a lot more space dedicated to background than I was expecting, giving a broad overview of the companies, then focusing in on the history and accomplishments of various packs within them, accompanied by lots of GWs usual high quality photographs. Interspersed there's advice on pack markings, how to apply company markings to vehicles and other iconography. The information is nice, and presented pretty organically, but it would have been better if it was all in one section within the book.

Each company has its own cool aesthetic, the warriors of the Firehowlers are covered in tattoos representing their accomplishments and look every bit the berserkers, whilst on the other end of the spectrum you've got the cold and mechanical Iron Wolves. Sven Bloodhowl and Egil Iron Wolf are pretty cool converted miniatures too and whilst they're not too hard to work out given the book tells you what they're actually based on, it would have been nice to have seen proper step by step tutorials for these.

This is all the stuff I actually bought the book for, if I'm honest; I'm reasonably confident painting my army at this stage. I'm pretty satisfied with the information presented, it gives just enough hints and ideas without outright giving the definitive answers or listing all the packs within the companies. There's still plenty of room for your own imagination!

By some serendipity, the two Grey Hunter packs I'd painted so far happened to be ones detailed within the book as belonging to the Deathwolves! Happy with that! I also learnt that within the Deathwolves the Wolf Guard keep their old pack markings, just painting them yellow and black. With that in mind I decided a little repaint was in order!

I won't be following the book entirely strictly though - I like the naming convention I've come up with for my vehicles, for example. (Everything is named after something from Norse mythology - Rhinos are named for wolves, Predators for weapons, Land Raiders for gods etc.)

Paint All the Things

I don't think that there is a single aspect of painting a space wolf that isn't in this book. Armour, fur, plasma coils, bone, parchment, metal, gold, gems, it's all covered. The only omission I noticed was no tips for painting eyes. A weird oversight but I have noticed painting eyes is falling out of fashion, so maybe that's why.

Not content with telling you how to paint everything, there's usually several different methods for doing it! It's a great resource, with eight methods for painting fur and nine for painting the faces of your warriors! I can't praise the sheer variety of painting guides in the book enough - each ranges from only a few steps to about 12, depending on the level of detail you're after - and you're bound to find a way of doing things that works for you.

Yet I'm not sure I can recommend this book alone for a new painter - Games Workshop still seem insistent on not teaching basic technique in their guides. You won't discover how to drybrush; or take care of your brushes; or correctly thin your paints in this book. Thankfully the internet is an amazing resource for that kind of information but I wish Games Workshop would start putting that kind of information in again. They're putting it in their video tutorials, which are free, so I'm incredibly surprised it's not going into their paid products.

A Nearly Perfect Resource

If you want some tips on how to paint your Space Wolves, or something to help you work out pack or company markings, this is a great book. The price is right too; at £20 it's a downright bargain for a Games Workshop product. I'm really interested to see if GW releases any similar products for other armies - it would be a shame if a product of this quality was a one off.