Showing posts with label Fantasy. Show all posts
Showing posts with label Fantasy. Show all posts

9/04/2014

Icons of the Ashen Coast - The Platinum Shield

The Platinum Shield scour the Ashen Coast for the dark followers of the Evil Gods.

When designing the icons for the Ashen Coast I originally wanted, where possible, to emulate the archetypes illustrated in the 13th Age core book. Naturally, the Platinum Shield are analogous to the Great Gold Wyrm. 




THE PLATINUM SHIELD
Revering Saint Laila and the metallic dragons, the Platinum Shield are the Ashen Coast's first line of defence against the dark gods. 

Quote
'A Knight must be pure of heart and noble of purpose; like our beloved Laila. She was the very spirit of a dragon. We can only strive to emulate her. We will never equal her.'

Usual Location
The Platinum Shield's headquarters are located at Fralfield, a days march from the Plague Bulwark. In truth the majority of knights are manning the wall or questing throughout the Ashen Coast. 

Common Knowledge
Since the Plague Bulwark was constructed there has been an order set up to protect it. The threats behind the Bulwark are more terrible than most could face; only the purest of heart could hope to stand before the followers of the dark gods day after day and remain unscathed in body and soul. 

The order's prime duty is to protect Thun from the terrible evils beyond the Plague Bulwark. However, due to the dire state of Thun's Royal Navy, many evil clerics from the Tenebrae Cabal make it off the peninsular and move inland, spreading their evil. As a response, the Platinum Shield roves the Ashen Coast, hunting down these evil priests, or worse. Worship of the evil gods is not limited to the Cabal, and the Shield has become adept at finding hidden devotees.

The order has a strict hierarchy, with ranks following the colouring of their revered metallic dragons so that Brass is the lowest rank, held by the freshest initiates, and Platinum is the highest, held only by the Master of the order. The current Platinum Master is Diogo Corte-Real, an elderly man, thought soon to step aside to one of his inner circle. However, that has been the rumour for many years and his Gold Knights continue to jostle for his favour. 

Adventurer's and the Icon
Fighters make up the bulk of the order, although there are many Paladins and Clerics as well, the majority of which worship Derne (God of War and Law) or Sorath (God of Sun, Light and Truth). In theory, however, anyone can join the order if they prove themselves stout enough of heart and pure of soul.

Allies
The Knights of the Platinum Shield are pledged to protect Thun and its King. As a holy order, they are natural allies to the High Priestess and, as a Paladin, they respect the Elven Baron.

Enemies
The Tenebrae Cabal is the sworn enemy of the Platinum Shield, and must be destroyed at all costs. The Devil is a new threat, but an unholy one nonetheless, and the quest to destroy the Cult of Mammon is gaining traction within the order. 

History
The evils of the Empire of Turin once ran rampant throughout the Coast, and on one peninsular in particular; entire towns and villages were entirely subjugated to the wills of dark priests. Eventually, even the Governor, Tyrmund, realised something must be done and ordered the construction of a great wall to prevent the spread of foul undead and terrible disease. 

In the years following the end of the Empire, the wall fell into disrepair under the degradations of the evil magicks beyond it and was almost breached, threatening the surrounding towns and villages.

In a town far from the Bulwark, in the northern Duchy of Arromere, the young Laila de Freitas dreamt of the Platinum Dragon, standing resplendent before a wall that spanned over a hundred miles. Laila was brought up in poverty in a world of browns and greys, she wept to look upon his awesome countenance. The Platinum Shield say that he imparted a message to her, though the exact wording has been long lost, if she ever revealed it. Then he spread his great wings and flew away, leaving Laila standing alone before the wall. Now she could see that it was cracked, a huge chasm cut into it. Feeling no fear, she strode towards it and placed her hands upon it. Even as searing pain burnt her flesh away, the crack shank into oblivion, sealing the wall once more. 

Waking that morning, Laila took up her fathers old sword and began her long pilgrimage south. As she journeyed, she helped many in need and defeated many evils. More and more pledged themselves to her cause and by the time she reached the Plague Bulwark nearly five hundred pilgrims stood beside her.  

The wall was exactly as she had dreamt it, crack and all. She trembled, knowing that only she could seal the breach - but that it would cost her her life. As she hesitated, the aperture grew larger and the wall finally shattered. Plague ridden beasts and undead, driven on by evil wizards and vile clerics flooded from the breach. The pilgrims stood firm, encouraged by the prayers of Laila, but many were only farmers and peasants - they could not hope to stand against such a force. 

The cause finally seemed lost as Laila was struck down by a priest of Kostro; god of Vanity, Tyranny, and Violence. Terrified, the remaining pilgrims turned to run. Then there was the flash of light and before them Laila rose to the air, great platinum metallic wings spread, her fathers old sword now a glorious Holy Avenger. She breathed deadly fire upon the evil host, and drove them back with her enchanted blade. Encouraged, the pilgrims fought all the harder and not a single other was lost. 

The battle over, Laila flew to the shattered wall and plunged her blade into the ground. A great platinum seal filled the gap, energy flowing from her reforged body. The Bulwark was reforged and Laila fell, lifeless to the ground. The pilgrims swore an oath that the Bulwark would never fall into such disrepair again, that Laila's brave sacrifice would not be in vain. They would be the Platinum Shield. 

The True Danger
Everything will be alright as long as the Plague Bulwark stands between the Ashen Coast and devastation.

Would you join the Platinum Shield or throw your lot in with the Dark Gods? Let me know! 

8/22/2014

Thoughts On... Parsantium

Type of Hobby: Roleplaying Game (Supplement)
Number of Players: 3+
Authors: Richard Green
Publisher: Ondine Publishing
Price: £12.99


Parsantium is a melting-pot setting for fantasy roleplaying games, able to stand alone or be incorporated a city within an existing setting. Taking it's primary inspiration from the great city of Constantinople/Istanbul, centre of trade and both the Byzantine and Ottoman empires, with a smattering of southern and eastern Asian influences, Parsantium is a truly cosmopolitan city fitting for almost any kind of adventure.

My first encounter with Parsantium was at last years Dragonmeet, which was also my first encounter with 13th Age. Byzantium has always held a certain fascination for me, so Parsantium was a delightful surprise.

City at the Crossroads
Ruled by it's king, the basileus Corandias XVIII, Parsantium stands at the centre of several important trade routes. This brings characters from all across the known world into the city, meaning that far from being static, any number of interesting things could be going on and new characters can constantly be introduced.

The current rulers (and they have ruled more or less constantly for centuries), are Barthuran. This is a Greco-Roman culture, based heavily on the ancient Byzantines. The original settlers were the Sampurans, fleeing persecution. The Sampurans are heavily influenced from indian culture, only with bonus monkey people. The monkey people are pretty rad.

Adding to these cultures are the Aqhrani, who add an arabian flavour reminiscent of the old Al-Qadim D&D setting, and the Tiangon, who bring a touch of the oriental.

There are villains aplenty, from the traditional orcs and hobgoblins to devious rakshasa and dark, hidden cults. There's a lot for enterprising players to sort out!

A Living City
Parsantium is a living breathing city, richly detailed, with intertwining plot threads and locations that give GMs plenty to work from. Important NPCs are given plenty of description, including motivations and history, as well as a rough guide to their power level. As the book is system agnostic no stats are provided, which may be a turnoff for some. This has meant there is more room for solid, well thought out, background, which for me is a plus. There are some really interesting characters in Parsantium, usually with several connections to plot threads and many have some very interesting secrets. Because there are several different cultures within Parsantium there is a great variety within the NPCs.

More than that though, even little details could be plot hooks. I really enjoyed reading the gazetteer section which detailed the city, and particularly the 'First Impressions' and 'Passers By' sections, which are filled with both flavour and plot hooks that would work particularly well in a sandbox game. Each little vignette contained within them is charming, and often surprising. It seems everyone Parsantium has a story to tell!

A lot of work has gone into making the city so rich and alive. There's even a table to help GMs discover what occurs during the city during downtime or particularly long adventures.

History in the Making
There's a lot to see and do in Parsantium. It would impossible to try and do everything! Either as a sandbox or a structured campaign, there's plenty to draw from. Political intrigue, exploration, mercenary work, gang wars, dark prophecies, and evil cults can be combined to create almost any adventure you might think up. There's even a hidden undercity, filled with all manner of evils (some known, many not!) for your traditional dungeon delve needs.

With such a lot to draw from, players have a lot of exciting options open to the for characters too. Traditional D&D characters can be found, of course, but with all these interesting cultures and factions there's plenty to draw inspiration from and, Parsantium being what it is, a truly varied party wouldn't seem out of place or cartoonish at all. This is a setting I'd love to play in just as much as run.

Highly Recommended
I can't recommend Parsantium enough if you want a rich, detailed setting for your fantasy roleplay that's different from the usual fare. No matter what kind of game your players like, Parsantium can fit it in.

If your preference is for 13th Age, Parsantium icons are being rolled out on the Parsantium blog.


7/09/2014

Thoughts On... Dungeons & Dragons (5e) Basic Rules

Type of Hobby: Roleplaying Game
Number of Players: 3+
Authors: Mike Mearls, Jeremy Crawford et al
Publisher: Wizards of the Coast
Price: Free

D&D - Reincarnated or Resurrected?



So, six years later, here we are again. And I mean that both figuratively and literally, for this edition of Dungeons and Dragons is both brand new and everything we knew. It's also free, in a basic set of rules that anyone can download. This is a smart move, I think; I know a lot of people have been on the fence, or even outright hostile, about this edition and letting people just look at what things are going to be like for free will at least let Wizards of the Coast put their hand on the table. So, go on, download them, have a flick through. You might like what you see!

What you'll find is an edition that has gone right back to AD&D 2nd Edition for inspiration, whilst in many ways being almost a complete revert back to the 3rd Edition. Aside from a few little touches, 5th almost completely ignores 4th Edition, giving it no legacy at all. That isn't to say that there are no modern features, but this is a game steeped in nostalgia.

I'll try to reference my current love, 13th Age, as little as possible, but in some places comparison between these two contemporaries is inevitable.

A Lot of Character

Character creation is largely incredibly familiar and full of surprising amounts of detail despite being a set of 'basic' rules. You see this immediately in the writeups for the races. There are only four in this document, the stalwarts of humans, dwarves, elves and halflings, but there's a lot to get your teeth into. Physical descriptions, descriptions of culture; there are even descriptions of how each race views the others. There's more to get your teeth into here in this basic document than there is in the entire 4th Edition or 13th Age core book. This is a game that desperately wants to reclaim the title of roleplaying game.

Still, I actually think there might be a little too much detail here, having five or more things you need to keep track of just for your race could lead to a little too much bookkeeping, or at least things being forgotten at the table. In most cases I love detail, but there's a lot of mechanics attached to these races.

The classes (fighter, cleric, rogue, wizard) are also very classic feeling and offer few surprises to D&D veterans. There's a nice customisation option available to each class, allowing you to take each one down a specific path (martial archetypes and arcane traditions, for example). It's nice to see each class have different options, but this does feel a bit limiting and reminiscent of the worst parts of 4th editions class builds. I'd like to see more mix and match abilities, like the talents in 13th Age, so that you can truly make your character your own.

I initially had some concerns that we had returned to the bad old days of the all powerful spellcaster, but a quick look at the math suggests to me that a fighter or rogue should be able to keep apace of the Wizard or Cleric, especially as those classes have returned to a more or less vancian system. That's an improvement over 3rd, certainly. That's not to say that the spellcasters aren't considerably more versatile and in that respect powerful; spells still exist to counter almost any situation the wizard might find himself otherwise deficient and with more spells promised in the Players Handbook, that might get worse. Of course, that same book is going to have lots more options for the humble fighter too! I'd have to see a party in play myself over a reasonable period of time to really see how it works out, but my first impression is that party balance is not as bad as D&D has been in the past, but not as good as it was in 4th Edition. However, that balance in 4th came in the form of class homogenisation, which many really hated.

There are some nice innovations in character generation - or at least, innovations for D&D. 5th Edition asks you to make some choices about your character's personality and history, some quite interesting, some less so.

I like the idea of choosing an ideal; something your character strives for, it's a nice idea that gives the player somewhere to go with the character right out of the box. It also gives the DM something to work with, something to tailor adventures and encounters to his players desires. That's really good.

I also like bonds, something your character is connected to in the background. They're like a very basic implementation of the Icons from 13th Age. It's another tool for the DM to work with, another important fact he can work into the story to help the player feel more connected. I'm always in favour of that.

Less interesting to me are the ideas of personality traits and flaws. Personality traits are just fluff that reminds the player to roleplay. It's useful for new players, but most experienced players are either going to roleplay character traits or they're not. And flaws seem out of place in an ostensibly heroic game, but that's just a personal taste thing.

The mechanic that drives all these myriad traits is inspiration. When you're inspired you can choose to claim an advantage on an attack roll, skill check or ability check.  A DM rewards inspiration when you play your character well according to the traits you've written down on your sheet. In this respect it's quite similar to nature and demeanor in old World of Darkness. I worry that this mechanic may simply reward more extroverted players and leave quieter players in the dark. Weirdly, you can choose to reward your own inspiration to another player, in lieu of the DM doing so. I have no idea when a player would willingly give up their own inspiration though - surely if a player is deserving of it, the DM should be rewarding it?

I like these things, even if they're not as decisive and exciting as the similar ideas in 13th Age. They just feel a bit forced in places, almost a little out of place or like an afterthought.

Tying these personality traits together are backgrounds. They do remind me a little of the old kits from 2nd Edition, but without any real mechanical benefit they're just a collection of sample personality ideas. Which is fine, but I'd like a little more crunch here.

Alignment is back, although it just feels like a strange concession to the past. Without the mechanical crunch of detect alignment spells, it's just a strange and outdated personality compass. I think they'd have been insane not to have included alignment, but it's something they seem almost frightened of implementing properly, which is almost understandable considering the controversy the idea has attracted over the years.

The last element of character generation to discuss are skills. They're terrible, and that's really the kindest thing I can say about them. They're pared down like in 4th Edition, but in an edition of resurgent detail they're utterly lacking. Nothing about this incredibly basic list excites me at all or makes me think 'Yeah, that would be a cool thing for my character to be good at!' After the exciting and liberating backgrounds of 13th Age I find it hard to look at these without total disappointment.

Lastly, although the rules for it are not available in the basic rules, multiclassing in the style of 3rd Edition has returned. I've always been torn about the 'take a level of this, a level of that' approach, as it intrigues me mechanically but narratively it's often a nightmare, especially if you feel you have a strong concept for a multi-classed character from the get go. It's a part of D&D history though, and it's tried and tested. I expect a lot of fans will be glad to see it back.

Equipping Yourself

There's an awful lot of things your character can buy in this basic document, covering everything from adventuring gear to the cost of boats. This is all classic D&D stuff and it's nice to see it returning, although the lifestyle expenses rule seems like an exercise in bookkeeping that most will skip. I've always liked the idea of making everyone keep accurate track of their money and, while its nice that this can be simplified down like this, by the time you're a high level adventurer whether or not you've spent 1 or 4 gold at the inn seems a little irrelevant. This is a problem that D&D has always had, however - and it won't stop me loving to hand out treasure to my players.

Your weapons and armour are the usual fare, with weapons being priced as seems historically accurate and given appropriate damage dice. The same seems to apply to armour. This is traditional. but now since being spoiled by 13th Age's abstraction here, I don't think I could go back. It seems absurd to me to have options that are simply not as good, putting players off taking what they think might be thematically cool. I suspect most players will simply gravitate towards the weapon that does the most damage. On the other hand, I wouldn't expect D&D to take such a radical step as abstracting weapon damage, as much as I might prefer it.

Running the Game

Throughout the basic rules pdf the rhythm of play is spelled out in very simple terms, and in a way I've never seen before -

  1. The DM describes the environment.
  2. The players describe what they want to do.
  3. The DM narrates the results of their actions. 
This is of course, really simple. For new players though, ones who have never roleplayed before, this could be a godsend. All too often games designers write paragraphs and paragraphs trying to explain what a roleplaying game actually is, usually supplying long examples, but this just puts it in the most simple terms possible. I really like this.

Running the game otherwise is more or less standard d20 D&D, which veterans will be utterly at home with. It still works. By default though, Wizards of the Coast have taken the brave choice to make combat gridless. Not mapless, but definitely gridless. (although the grid is an option). This harkens right back to the 2nd Edition and earlier. However, the level of detail and reliance on exact distances in this latest edition of D&D might mean that the grid is still very useful - just as it was in 2nd edition, even when it wasn't a core part of the rules.

Another core mechanic, which I really like for its simplicity, is advantage/disadvantage. If you have advantage, you roll two dice and take the highest. If you have disadvantage, roll two dice, take the lowest. It's a useful tool for both the game designers in designing abilities and DMs, who can use it to simply adjudicate situations. Fighting at the top of the stairs? Advantage! Fighting whilst on a swinging chandelier? Disadvantage! Dynamic and simple, this mechanic is really great.

It's D&D!

Overall all there is to say about these basic rules is that it's D&D. You're not getting the full experience, as I'm sure the Players Handbook will come with the rest of the classic classes and races, but you're getting the core experience. And I like it, for the most part. I'd definitely play it if someone chose to run it in my group, and I think I'd have a great time. If nothing else, reading through the pdf was making me incredibly nostalgic and I expect that's exactly what Wizards of the Coast were going for. If you want to play D&D, you could do a lot worse than this. On the other hand, because it's just nostalgia D&D I could just pick up my old 2nd Edition or 3rd Edition books and play or run from those, and I'd get that same effect. A few nifty mechanics and problems fixed won't change that. Certainly it hasn't usurped 13th Age as my fantasy game of choice with this pdf because it simply doesn't feel brave enough or different enough. Personality traits and inspiration are nice mechanics, but I've been spoiled now by the One Unique Thing and Icons. Nothing in these rules come close to those as tools a DM can use to craft great, player driven, campaigns. 

Where 4th Edition D&D felt radical and new, this simply feels nostalgic. 3rd Edition felt like it was trying new things and fixing old problems, whilst staying true to the feel of D&D. 5th Edition does neither of those things - it just feels like a minor rules update to 3rd Edition - and I think that might be a problem for Wizards of the Coast. That game already exists; it's called Pathfinder.